Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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James Abbot McNeill Whistler
Symphonie

ID: 70663

James Abbot McNeill Whistler Symphonie
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James Abbot McNeill Whistler Symphonie


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James Abbot McNeill Whistler

b Lowell MA 1834 d London 1903  Related Paintings of James Abbot McNeill Whistler :. | Portrait of Arthur J Eddy | Arrangement in Grey Portrait of the Painter | Trouville | Arrangement in Black No 5:Lady Meux | Grey and Silver: Old Battersea Reach |
Related Artists:
Pieter Lodewyk Kuhnen
painted Romantic Rhine landscape with ruin at sunset in 19th century
Edward Knowles
(born 1868 in Waberthwaite e died 29 June 1945 in Skiptone) was a rugby union footballer of the 1890s who at representative level played for England, and at club level for Millom,playing in the Forwards, e.g. Front row, Lock, or Back row. Prior to the 1899/1900 season, Millom was a rugby union club.
Matteo Rosselli
Italian Baroque Era Painter, 1578-1650 Italian painter. An influential artist of the early 17th century in Florence, he is described by the early sources as being of a gentle disposition and as a dedicated and dignified painter, although he lacked originality and power. His work is characterized by the simplicity, descriptive naturalism and refined colour of the Counter-Reformation art created by such Tuscan artists as Santi di Tito, Bernardino Poccetti, Lodovico Cigoli and Domenico Passignano, yet he was also responsive to Venetian and Emilian art. The son of Alfonso Rosselli and Elena Coppi, he received his early education in Gregorio Pagani's studio, which he attended from as early as 1587. His initial inclination was towards classical and balanced compositions, in which the influence of Andrea del Sarto, whose frescoes he copied in the Chiostro dello Scalzo, is clear. On 26 February 1599 he was admitted to the Accademia del Disegno and in 1605 went to be with Passignano in Rome for six months, greatly enriching his artistic experiences through this contact. He returned to Florence in the same year and, on Pagani's death (1605), completed his master's unfinished works with great success. Pagani's influence can be seen in the bright colours of Rosselli's Adoration of the Magi (1607; Montevarchi, Arezzo, S Andrea). To 1610 belong two monochrome paintings depicting Henry IV at Nantes and Henry IV at Gaudebec






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